{"id":18745,"date":"2018-04-02T22:08:44","date_gmt":"2018-04-03T02:08:44","guid":{"rendered":"http:\/\/traceyarial.com\/blog\/?p=18745"},"modified":"2018-04-02T22:08:44","modified_gmt":"2018-04-03T02:08:44","slug":"family-slave-alex-tizon","status":"publish","type":"post","link":"https:\/\/traceyarial.com\/blog\/en\/family-slave-alex-tizon\/","title":{"rendered":"Honouring the slave who raised him"},"content":{"rendered":"<p>Due to an unfortunate health problem, Pulitzer prize\u2013winning reporter Alex Tizon died three months before \u201c<a href=\"https:\/\/www.theatlantic.com\/magazine\/archive\/2017\/06\/lolas-story\/524490\/\">My Family\u2019s Slave<\/a>,\u201d his\u00a0incredible tale about Eudocia Tomas Pulido, appeared on the cover of the June issue of the Atlantic Magazine.<\/p>\n<blockquote><p>We called her Lola,\u201d wrote Tizon. \u201cShe was 4 foot 11, with mocha-brown skin and almond eyes that I can still see looking into mine\u2014my first memory. She was 18 years old when my grandfather gave her to my mother as a gift, and when my family moved to the United States, we brought her with us. No other word but\u00a0<em>slave<\/em>\u00a0encompassed the life she lived. Her days began before everyone else woke and ended after we went to bed. She prepared three meals a day, cleaned the house, waited on my parents, and took care of my four siblings and me. My parents never paid her, and they scolded her constantly. She wasn\u2019t kept in leg irons, but she might as well have been. So many nights, on my way to the bathroom, I\u2019d spot her sleeping in a corner, slumped against a mound of laundry, her fingers clutching a garment she was in the middle of folding.\u201d<\/p><\/blockquote>\n<p>Had he lived to tour and answer questions about his experience, Tizon might have prompted an even bigger discussion about modern slavery in North American than his article <a href=\"https:\/\/www.theatlantic.com\/business\/category\/contemporary-slavery\/\">set off<\/a>.<\/p>\n<h2>A Story of Mutual Dependence and Love<\/h2>\n<p>\u201cMy Family\u2019s Slave\u201d details Tizon\u2019s complicated relationship with his nanny and household maid. Initially, Lola was trapped due to decisions made by his mother and grandfather. After Alex became responsible for Lola, he tried to free her, but by then, she didn\u2019t have anywhere else to go. He paid to send her back home to the Philippines, but she returned to his household soon after saying she no longer fit in with the few people still alive in her hometown.<\/p>\n<p>It\u2019s hard not to wonder how many similar situations exist across North America.<\/p>\n<blockquote><p>When he came to us with the enthralling, vexing story of his immigrant family and its terrible secret, we recognized that this was the sort of journalism\u00a0<em>The Atlantic<\/em>\u00a0has practiced since its inception,\u201d wrote editor Jeffrey Goldberg, in a <a href=\"https:\/\/www.theatlantic.com\/magazine\/archive\/2017\/06\/a-reporters-story\/524538\/\">companion article to the piece<\/a>. \u201cThe magazine was founded in 1857 by a group of New England abolitionists eager to advance the cause of universal freedom. When I first read a draft of Alex\u2019s piece, I imagined that the founders\u2014people like Ralph Waldo Emerson, Henry Wadsworth Longfellow, and Harriet Beecher Stowe\u2014would not have believed that 154 years after Abraham Lincoln issued the Emancipation Proclamation, humans would still be enslaving other humans, in America and across the planet. The eradication of all forms of slavery remains an unfinished goal of civilization, and of this magazine, and stories like Alex\u2019s help us understand slavery\u2019s awful persistence.\u201d<\/p><\/blockquote>\n<h2>A structure that weaves through time and place<\/h2>\n<p>Tizon\u2019s story follows a complicated structure that weaves four storylines together. One storyline follows the author\u2019s journey as he carries Lola\u2019s ashes to her birthplace outside of Manilla, told in the order in which it took place in narrative fashion, complete with flashbacks to previous visits to the region. A second storyline outlines the history of slavery as an institution from modern times dating back to some time prior to the 1500s. Another storyline highlights the history of the Tarlac Province and Mount Pinatubo in the Philippines. The main storyline connects each of the other three by describing Lola\u2019s service to Tizon\u2019s family, highlighting key moments of connection, cruelty and turmoil.<\/p>\n<blockquote><p>We landed in Los Angeles on May 12, 1964, all our belongings in cardboard boxes tied with rope. Lola had been with my mother for 21 years by then. In many ways, she was more of a parent to me than either my mother or my father. Hers was the first face I saw in the morning and the last one I saw at night. As a baby, I uttered Lola\u2019s name (which I first pronounced \u201cOh-ah\u201d) long before I learned to say \u201cMom\u201d or \u201cDad.\u201d As a toddler, I refused to go to sleep unless Lola was holding me, or at least nearby.\u201d<\/p><\/blockquote>\n<h2>Classic Feature Style<\/h2>\n<p>Like most of the stories in The Atlantic, \u201cmy family\u2019s slave\u201d represents exquisite long-form journalism. No errors appear in the text and each sentence flows easily from the one it follows.<\/p>\n<p>I highly recommend My Family\u2019s Slave by Alex Tizon , The Atlantic, May 15, 2017, \u00a0accessed April 2, 2018.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Due to an unfortunate health problem, Pulitzer prize\u2013winning reporter Alex Tizon died three months before \u201cMy Family\u2019s Slave,\u201d his\u00a0incredible tale about Eudocia Tomas Pulido, appeared on the cover of the June issue of the Atlantic Magazine. We called her Lola,\u201d wrote Tizon. \u201cShe was 4 foot 11, with mocha-brown skin and almond eyes that I [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":18425,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_wp_convertkit_post_meta":{"form":"-1","landing_page":"0","tag":"0","restrict_content":"0"},"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[843,3],"tags":[],"class_list":["post-18745","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-book-reviews","category-journalism","post-wrapper","thrv_wrapper"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p2buQs-4Sl","jetpack-related-posts":[{"id":21811,"url":"https:\/\/traceyarial.com\/blog\/en\/irene-moore-davis\/","url_meta":{"origin":18745,"position":0},"title":"Getting history right with Irene Moore Davis","author":"Tracey Arial","date":"January 16, 2022","format":false,"excerpt":"https:\/\/unapologetically-canadian.sounder.fm\/episode\/getting-history-right-with-irene-moore-davis This is my interview with Irene Moore Davis, a woman who speaks, teaches and writes about Black history, equity, diversity, and inclusion. Moore Davis works as the manager of Continuing Education for St. Clair College. In her spare time, she has served as president of the Essex County Black\u2026","rel":"","context":"In &quot;History Worth Remembering&quot;","block_context":{"text":"History Worth Remembering","link":"https:\/\/traceyarial.com\/blog\/en\/category\/history-worth-remembering\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/traceyarial.com\/blog\/wp-content\/uploads\/irene-moore-davis-at-sandwich-first-baptist-church.jpg?fit=576%2C576&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/traceyarial.com\/blog\/wp-content\/uploads\/irene-moore-davis-at-sandwich-first-baptist-church.jpg?fit=576%2C576&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/traceyarial.com\/blog\/wp-content\/uploads\/irene-moore-davis-at-sandwich-first-baptist-church.jpg?fit=576%2C576&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":18953,"url":"https:\/\/traceyarial.com\/blog\/en\/la-poudriere\/","url_meta":{"origin":18745,"position":1},"title":"Women Heroines at La Poudri\u00e8re during WWI","author":"Tracey Arial","date":"September 22, 2018","format":false,"excerpt":"During World War I, 4,000 people, many of them women,\u00a0 assembled eight million fuses in a building locally known as \"La Poudri\u00e8re.\" Given that the job required mounting a detonator cap over a gunpowder relay charge and attaching a safety pin (read more about WWI fuses here), the job\u00a0was risky\u2026","rel":"","context":"In &quot;Genealogy Ensemble&quot;","block_context":{"text":"Genealogy Ensemble","link":"https:\/\/traceyarial.com\/blog\/en\/category\/history-worth-remembering\/genealogy-ensemble-history-worth-remembering\/"},"img":{"alt_text":"Fuse manufacturer, Verdun","src":"https:\/\/i0.wp.com\/traceyarial.com\/blog\/wp-content\/uploads\/AssemblyLineBritishMunitionsSupplyCo.jpg?fit=513%2C640&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2151,"url":"https:\/\/traceyarial.com\/blog\/en\/literary_nonfiction\/","url_meta":{"origin":18745,"position":2},"title":"The Challenges of Literary Nonfiction","author":"Tracey Arial","date":"June 13, 2013","format":false,"excerpt":"Literary nonfiction is a work that reads like a novel, but includes only fact and presumed facts. The \u201cpresumed facts\u201d part gets tricky sometimes and writers have dealt with the challenge in different ways. In some cases, writers choose to simply change facts to suit their story and release potential\u2026","rel":"","context":"In &quot;Journalism&quot;","block_context":{"text":"Journalism","link":"https:\/\/traceyarial.com\/blog\/en\/category\/writing\/notable-nonfiction\/journalism\/"},"img":{"alt_text":"Hill Novel","src":"https:\/\/i0.wp.com\/traceyarial.com\/blog\/wp-content\/uploads\/bookofNegroes.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":16163,"url":"https:\/\/traceyarial.com\/blog\/en\/scoundrels-wife\/","url_meta":{"origin":18745,"position":3},"title":"Scoundrel\u2019s Wife","author":"Tracey Arial","date":"February 2, 2015","format":false,"excerpt":"Marie-Louise Allard\u2019s married life lasted only 13 years. In that time, she produced eight children, helped her husband start a business, and dealt with 17 different court battles. Eventually, paying a series of claims against her husband took everything Marie-Louise had\u2014their land, their building and all their furniture. It was\u2026","rel":"","context":"In &quot;Family History Writing&quot;","block_context":{"text":"Family History Writing","link":"https:\/\/traceyarial.com\/blog\/en\/category\/history-worth-remembering\/family-history-writing\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":15716,"url":"https:\/\/traceyarial.com\/blog\/en\/mcgill-graduate_campaign-human-trafficking\/","url_meta":{"origin":18745,"position":4},"title":"McGill graduate campaign against human trafficking: May 9","author":"Tracey Arial","date":"April 30, 2014","format":false,"excerpt":"McGill graduate Daniel Perrett plans to bicycle across Canada to raise $10,000 for the Freedom Registry, a database that will connect organisations fighting human-trafficking across Canada. Human trafficking is a problem in Montreal and across Canada, but no one talks about it,\u201d said Perrett. \u201cMy friend Meaghan met with a\u2026","rel":"","context":"In &quot;Journalism&quot;","block_context":{"text":"Journalism","link":"https:\/\/traceyarial.com\/blog\/en\/category\/writing\/notable-nonfiction\/journalism\/"},"img":{"alt_text":"Perrett","src":"https:\/\/i0.wp.com\/traceyarial.com\/blog\/wp-content\/uploads\/Perrett.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/traceyarial.com\/blog\/wp-content\/uploads\/Perrett.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/traceyarial.com\/blog\/wp-content\/uploads\/Perrett.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":22210,"url":"https:\/\/traceyarial.com\/blog\/en\/montreal-and-the-ville-marie-fire-of-1734\/","url_meta":{"origin":18745,"position":5},"title":"MONTREAL AND THE VILLE MARIE FIRE OF 1734","author":"Tracey Arial","date":"January 24, 2024","format":false,"excerpt":"Update: January 24, 2024 Since this story was originally published, the City of Montreal has added a poster next to Metro Champs de Mars to make it clear that Marie-Jos\u00e8phe Ang\u00e9lique\u2019s park will be within the Place de Montrealais! 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